Credits: |
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Ken Goldberg |
Original Concept and Direction |
Randall Packer |
Sound Composition and Design |
Gregory Kuhn |
Physical and Acoustical Designer |
Wojciech Matusik |
Internet and Display Software |
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|
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Berkeley Seismographic Lab
(Lind Gee, Doug Neuhouser, Barbara Romanowicz) |
Live seismic data feed |
NTT InterCommunication Center |
Support for Version 1.0 |
Meyer Sound Laboratories |
Sound System |
CNMAT, UC Berkeley |
Software Support |
Pamela Beitz |
Builder |
Sarah Hahn and Florian Brody |
Discussions |
Zakros InterArts |
Production |
We also thank the Catharine Clark
Gallery and the UC Berkeley Dept. of Art Practice. |
Seismic activity can be viewed online at:
http://memento.ieor.berkeley.edu/
Ken Goldberg
Original Concept and Direction
b. 1961, Nigeria
lives in USA
Ken Goldberg is an artist and Associate Professor of Engineering
at UC Berkeley, where he founded the Art, Technology, and Culture
Colloquium. In 1994, Goldberg led the team that developed the first
robot on the Internet. His net art installations have since appeared
in the Interactive Media Festival, the Festival for Interactive
Arts, New Voices/New Visions, Ars Electronica Center, and the Walker
Art Center. Goldberg co-founded the Net Work program at New
Langton Arts and initiated a grad seminar on net art at the SF Art
Institute. His "Ouija
2000" telerobotic installation was shown at the Berkeley Art
Museum and the 2000 Whitney Biennial.
Goldberg received his Ph.D. in 1990 from the School of Computer
Science at Carnegie Mellon University (CMU). His primary research
area is geometric algorithms for feeding, sorting, and fixturing
industrial parts. Goldberg serves on the Advisory Board of the IEEE
Society of Robotics and Automation and has lectured on telerobotic
art at MIT Media Lab, Stanford, CMU, New York University, New York
School of Visual Arts, IBM, Interval, and Xerox. Goldberg was named
a National Science Foundation Young Investigator in 1994 and NSF
Presidential Faculty Fellow in 1995. In 2000 he won the Engelberger
Award for Robotics Education. He is the editor of The
Robot in the Garden: Telerobotics and Telepistemology in the Age
of the Internet, published by MIT Press.
www.ken.goldberg.net
www.tnr.com/online/balkin062000.html
Randall
Packer
Sound Composition and Design
b. 1953, USA
lives in USA
Randall Packer's work as a composer, media artist, and producer/curator
has focused on the integration of live performance, technology and
the interdisciplinary arts. From the revival of avant-garde music
theater to the creation of new interactive media work, he has bridged
current issues in art and technology with seminal interdisciplinary
ideologies from throughout the 20th century.
In 1988 Packer founded Zakros InterArts (formerly New Music Theatre)
in San Francisco, and produced, directed, and created critically
acclaimed multimedia theater works including "Sur Scene" by Mauricio
Kagel (1988), "Theater Piece" by John Cage (1989), "Originale" by
Karlheinz Stockhausen (1990) and "Arches" by Randall Packer (1991).
He produced the "Deep Listening" new music series (1991-93) as well
as organized and directed the annual John Cage Memorial MusiCircus
(1992-94). "Knossos," a work for piano, percussion, and live electronics,
was commissioned by Radio France and performed in Paris (1993).
He has co-produced and composed music for CD-ROM under the Chronic
Art series, computer films that were premiered at the 1996 San Francisco
International Film Festival and the Mill Valley Film Festival. In
1997, he completed the collaborative sound-text work, "Through Invisible
Cities," performed at the Yerba Buena Center for the Arts in San
Francisco and released on CD (1998). "Pleasure Island," an online
multi-user virtual community was presented at the USC School of
Cinema's Interactive Frictions conference (1999). His collaborative
installation "Mori" was selected for the 1999 Biennial Exhibition
at the InterCommunication Center (ICC) in Tokyo, and his net project,
the "Telematic
Manifesto," was included in ZKM's (Center for Art and Media)
"Net_Condition" exhibition.
As a leading authority on the history of multimedia, Packer has
recently completed the first phase of a multi-part hybrid project
entitled Multimedia: From Wagner to Virtual Reality. The
website component was sponsored by Intel's Artmuseum.net and the
forthcoming book (spring, 2001) is being published by W.W. Norton.
Former Director of the San Francisco State University Multimedia
Studies Program and Director of Multimedia for the San Jose Museum
of Art, he has served on the faculty of the Department of Art Practice
at the University of California Berkeley and the Maryland Institute,
College of Art in Baltimore, where he currently teaches courses
in the history, theory and production of digital art.
www.zakros.com/projects/mementomori1.html
Gregory Kuhn
Physical and Acoustical Designer
b. 1965, USA
lives in USA
Wojciech Matusik
Internet and Display Software
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