In which circumstances or on what occasion did you introduce
[electricity or electronics] TELEMATICS or THE NETWORK into your work?
Approximately 30 years ago, I came up with a concept of electrical
and electronic control and computing systems attached to my body,
and then around twenty years ago, reduced many of these ideas to practice
in the form of a wearable computer system that might now be called
a "multimedia" computer attached to my body for visual
art (mediated reality, etc.). The circumstances around this invention
have evolved from an exploration into living in a photographically
mediated reality toward holding a mirror up to society's Surveillance
Superhighway.
How can you describe the technical and aesthetical part played
by [electricity] TELEMATICS in the work you will be showing in the
[Electra] TELEMATIC CONNECTIONS exhibition? Please give your comments
as regards these points.
On the technical side, I formulated a new mathematical framework
for Personal Imaging (wearable sensory and computational apparatus),
such as the Chirplet Transform (http://wearcam.org/chirplet.htm)
for such applications as assisting the blind or visually challenged
with some miniature radar systems I designed and built in the 1980s.
Much of this work in Personal Imaging also evolved into its own
visual aesthetic of "Lightspace Imaging" (see for example
IEEE Transactions on Image Processing, Vol. 9, No. 8, http://wearcam.org/comparam.htm).
On the aesthetic side, this theory of "Lightspace Imaging"
gives rise to new forms of visual art.
According to you, which are the consequences that can arise
from the combination of art and contemporary TELEMATIC technology?
In the limit, as we become one with the machine, the boundary between
thinking and computing, and between remembering and recording, may
disappear. Moreover, Humanistic Intelligence (intelligence arising
from the human being in the feedback loop of computational processes),
when connected (e.g. wireless communications, etc.) could give rise
to a connected collective H.I. experience. Such an entity would
challenge the notion of identification (ID cards, and the ability
to isolate actions to a specific individual). A possible consequence,
therefore, could be the collapse of the concept of intellectual
property.
*These questions are based on ones asked by Frank Popper of the artists in his seminal exhibition Electra: Electricity and Electronics in the Art of the 20th Century in 1983 at the Musée d'Art Moderne de la Ville Paris
|