First there was the bed, then came the sofa. The beginnings of
this work started with the installation "Telematic Dreaming,"
produced in June 1992 for the "koti" exhibition in Kajaani,
Finland, forwarding the development into the installation "Telematic
Vision." In many ways the sofa and the bed amount to much the
same thing, they can also transform themselves into each other,
becoming a "sofa/bed." The semiology of the bed, that
proved to be so effective in "Telematic Dreaming," is
also present within the sofa and is equally as effective in "Telematic
Vision". Where "Telematic Vision" and its sofa differ
from "Telematic Dreaming," and its bed is in the scenario
and theater of its spectacle. The sofa finds itself between the
bed and the television, whilst it retains the semiotic reference
to the bed, it also refers directly to television. The television
and sofa are caught up in an inseparable scenario. In "Telematic
Vision" the sofa is the seat from which the spectacle of television
is viewed and the spectacle that is viewed is the audience that
sits on the sofa.
Two identical blue sofas are located in dispersed remote locations.
In front of each sofa stands a video monitor and camera. The video
camera in each location sends a live video image, via ISDN telephone
lines, to the other location. The two images are mixed together,
via a video effects generator, and displayed on the monitors in
front of each sofa in both remote locations simultaneously. Two
more video monitors, displaying the same image, are added to both
locations, and stand one meter from the arms on both sides of each
sofa. The theater of the spectacle is complete. The viewers in both
locations assume the function of the installation and sit down on
the sofas to watch television. At this point they enter the telematic
space, watching a live image of themselves sitting on a sofa next
to another person. They start to explore the space and understand
they are now in complete physical control of a telepresent body
that can interact with the other person. The more intimate and sophisticated
the interaction becomes, the further the users enter into the telematic
space. The division between the remote telepresent body and actual
physical body disappears, leaving only one body that exists in and
between both locations. Assisted by the object of the sofa and the
scenario of the television consciousness is extended and resides
solely within the interaction of the user. "Telematic Vision"
is a vacant space of potentiality, it is nothing without the presence
of a viewer and the interactions of a user who create their own
television program by becoming the voyeurs of their own spectacle.
"Telematic Vision" was first produced in an artist-in-residence
program at the Zentrum für Kunst und Medientechnologie (ZKM)
in Karlsruhe, Germany, for The ZKM Multimediale 3 exhibition, November
1993. This installation has since been exhibited:
Between two locations in the Millennium Dome Play Zone--London,
UK, January 2000
Between the Stadthalle in Gütersloh and the ZKM in Karlsruhe
for the 1998 Carl Bertelsmann Prize giving ceremony, September 1998
Between two locations at the SIGGRAPH 98 Touchware Art Show in
Orlando, USA, July 1998.
Used as a television stage set for the WDR Cyberstar 98 Prize giving
ceremony, between two locations in the Komed Building at the Media
Park in Cologne, Germany, June 1998.
Between the Museum für Kommunikation in Bern and the Teo Jakob
shop window situated in Bern central train station, Switzerland,
June to August 1998.
Between two gallery sites at the Croydon Clocktower Gallery, Croydon,
London, September to November 1996
Between the two exhibition gallery sites at the 3rd Lyon Biennale,
France, December 1995 to February 1996
Between two remote sites in Tokyo for the InterCommunication Centre
(ICC) exhibition, Tokyo Japan, November 1995
Between two exhibition halls for the German Telecom stand at the
CeBIT 95 in Hannover, Germany, March 1995
Between the Museum of Contemporary Art and the Marina Hotel for
the ISEA 94International Symposium of Electronic Art in Helsinki,
Finland, September 1994
Between the Netherlands Design Institute in Amsterdam and the Zentrum
fuer Kunst und Medientechnologie in Karlsruhe, Germany, June 1994
Between the Landesmuseum in Karlsruhe and the Zentrum für
Kunst und Medientechnologie (ZKM) Multimediale 3 exhibition in Karlsruhe,
Germany, November 1993
Between the Media Park Koeln and the ZKM in Karlsruhe for The interActiva
93 in Koeln, Germany, September 1993
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